There is a similar behaviour in the Xsheet. Some keyframes or exposures located between the source and destination might be replaced or deleted. The held, blank, or key exposures are moved and a key exposure of the different drawing is created after. When the destination is a different image, there is no extension: No new Key Exposure is created after the Key Exposure is slid over but the original is kept. No new Key Exposure is created when you slide a held exposure or a blank exposure. When the source and destination are on the same drawing or blank, there is an extension in that the Held frame is kept: This has been implemented to avoid unpredictability in the way certain elements were being extended automatically when performing some of these types of operations: There have been improvements to how dragging and dropping an exposure/keyframe works. Sliding Behaviour for Drag and Drop in Timeline and Xsheet Same behaviour in Xsheet for the copy/paste. When pasting on the same drawing, we do the same as above: The value (Held, Blank or Key Exposure) is extended. A special case is when pasting a Held frame on a different drawing then it will create a Key Exposure of the source held. When you paste Key Exposures, Blank, or Held frames it will try to stay the same as the source. A held frame is just a frame that has no specific value but just follows the preceding key exposure’s value. There is no more auto filling before pasted frame(s). In the Timeline View menu, select Exposure > Remove Key Exposure. To delete a key exposure, click on the Remove Key Exposure button. In the Timeline View toolbar, you can click on the Add Key Exposure button. In the Timeline View menu, select Exposure > Add Key Exposure. In the Timeline view, select the drawing cell you want to set as your key exposure. It is most frequently used on the mouth layer. This feature is used to avoid messing up your animation key poses. But if you swap the exposure of the first one for another drawing, the second block will remain with the first drawing. If you modify the artwork in one, the artwork will also be modified in the second one. The key exposure feature breaks a drawing block into two pieces.
If you want to make sure that a certain drawing remains exposed on a certain frame and is not overwritten by a drawing swap done on an earlier frame, you can use the key exposure function. Also, you now have the ability to change the colour for almost all element types via the Timeline (like pegs). For an element, it’s not only the cell blocks that will reflect the custom layer colour, but also the background of that layer.
The ability to change the colour of a Timeline layer has been improved. Hover over the scene marker to view its note which displays as a tooltip. In the Timeline view, the scene marker is displayed over the selected frame counters. In the Note field, enter text to display as a tooltip. The Timeline Scene Marker dialog box opens.Ĭlick in the Colour box to select a colour for your scene marker. In the Timeline view frame counter, select a range of frames on which to mark your scene.
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